For decades, an elite handful of climbers have competed for the coveted speed record on the 3,000-foot Nose of El Capitan, risking big falls to shave mere seconds off the fastest time. When a record held by superstar Alex Honnold is broken by little-known climbers Brad Gobright and Jim Reynolds, Honnold drafts fellow climbing legend Tommy Caldwell to establish a new mark that will stand the test of time. Honnold pushes for perfection while Caldwell, a family man, wrestles with the risk amid a series of accidents on the wall that lay bare the consequences of any mistake.

Kentridge's short animated films are typically made from a series of large-scale charcoal and pastel drawings which the artist repeatedly alters and interchanges as his narrative progresses. Ubu Tells the Truth marks an important change in technique, as Kentridge has combined images from documentary films and photographs together with moving puppets as well as his animated drawings. This film was made from a basis of thirty drawings. Sleeper (Tate P78231) is a related etching he made in the same year. Much of the footage was originally created to accompany action on stage in the multi-media theatre work Ubu and the Truth Commission (1997), in which Kentridge collaborated with the Handspring Puppet Company in Johannesburg. It was subsequently edited to accentuate the drama implicit in the series of images. The result is a greater degree of abstraction than in his earlier films and a more heightened violence.

Kentridge's short animated films are typically made from a series of large-scale charcoal and pastel drawings which the artist repeatedly alters and interchanges as his narrative progresses. Ubu Tells the Truth marks an important change in technique, as Kentridge has combined images from documentary films and photographs together with moving puppets as well as his animated drawings. This film was made from a basis of thirty drawings. Sleeper (Tate P78231) is a related etching he made in the same year. Much of the footage was originally created to accompany action on stage in the multi-media theatre work Ubu and the Truth Commission (1997), in which Kentridge collaborated with the Handspring Puppet Company in Johannesburg. It was subsequently edited to accentuate the drama implicit in the series of images. The result is a greater degree of abstraction than in his earlier films and a more heightened violence.

The terrifying day a 10-year-old girl witnesses her mother stabbing her father's eyes to get insurance money.

What promises to be the world's easiest babysitting job turns into a nightmare as Duck the duck, Punky the turtle, and Lemurman the lemur are locked out of the house by a psychotic kitten named Tabby, who's intent on making the evening a (painful) memory they'll never forget!

After the death of her parents, a young woman creates her own world to deal with her grief and guilt.

Kevin Hart: What the Fit is a brand new unscripted comedy starring Kevin Hart and celebrity guests. In each episode, Kevin invites his friends to join him in taking on a different whacky workout from sumo wrestling with Conan O'Brien to goat yoga with Khloé Kardashian and cowboy rodeo-ing with Leslie Jones.

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Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.

The iconic pop culture panel show featuring host Greg Davies, who is joined by regulars Noel Fielding & Jamali Maddix for music-themed mayhem.